4 Reasons Why Deadpool Is The Greatest Hero Ever Conceived Of By Man

This blog is Deadpool approved!
Source: Screen Rant

As of the previous night from when I’m writing this, I had the joy of seeing Deadpool at my local IMAX theater. I have to say that the film lived up to the hype. We fans can finally say that we got a true-to-character depiction of Deadpool outside of the comics that we can be proud of. They even managed to turn the upset of having their budget cut from under their feet at the last minute to their advantage.

But upon returning from the movie, I and my colleagues got to discussing why we love D. Pooly so much. What is it about this loud-mouthed cross between Ryan Reynolds and a shar-pei that makes us love him so?

Well, I can’t speak for everyone, but for me…

He Isn’t A Hero (Technically)

 

It’s the thought that counts…
Source: The Deadpool Catalogue

As pointed out in my breakdown of the one-shot comic The Gaeneviad, the problem with self-proclaimed heroes is that they tend to come off as holier-than-thou douchebags hiding behind the veneer of righteousness and justice.

On the other hand, our dear Deadpool acts on the principals of moral relativism; i.e., the definitions of good and evil being subjective and based on one’s own cultural upbringing and environment that they occupy.

Wade may have a massive ego, but he has no delusions of being a hero despite what he occasionally insists. He simply acts as he feels he needs to in order to protect his own interests and those of the ones that he cares about/are paying him at the time.

He’s a Surprisingly Tragic Character

Yes, this comic just made you feel bad for a foul-mouthed, murderous, sentient tumor.
Source: Cynic No More

Behind his snappy comebacks and gleeful destruction, Deadpool has a lot of emotional baggage to unpack. It’s easy to forget that this is a man who was dishonorably discharged from the military, forced into mercenary work to get by, was diagnosed with terminal cancer, horribly disfigured by the people that “cured” him, and then tortured so badly that he spent nights in his cell simply chanting the words, “Ow, my skin.”

Once you remember that, you start to realize that his manic personality is just a coping mechanism – a mask that he likely puts on to cover up his own pain.

He’s Sexually Progressive

I sense the feeling isn’t mutual.
Source: The Odyessy

Despite looking like someone beat Rod Stewart with a baseball bat and held him down in battery acid, Deadpool has a shockingly healthy sex life with a long list of partners.

And when I say long list, I mean it’s suggested that he’s f***ed pretty much EVERYONE.

Deadpool is often characterized as being pansexual, meaning he is not limited by things like gender identity or biological sex when considering a love interest. He flirts with the likes of Thor, Spider-Man, and Wolverine, has been married to strange alien lifeforms, and has even had multiple flings with Death itself.

Basically, I like the idea of a man that looks like ten miles of bad road telling me that we’re all beautiful people.

He Knows The Importance of Engaging the Audience

Never upstage the protagonist.
Source: comicritico.blogspot.com

One of Deadpool’s key features is his love of breaking the fourth wall – the act of directly addressing the audience and acknowledging the medium one occupies. While only a hand full of characters can do this right, something interesting happens when they do.

By becoming self-aware of their role in the entertainment industry, characters like Deadpool will often start playing to the audience. This forces the writers to do the same and results in a more engaging and entertaining story.

In short, since Deadpool WANTS to play to the crowd, the writers HAVE to play to the crowd.

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3 Comic Books That Should Be Adapted Into Films

There’s no denying it at this point, comic book-based films are the top dog of the modern movie industry. As such, studios are looking to find ways to adapt any promising series or story arch that presents itself.

That said, there are a lot of properties and ideas that have yet to be considered that really should be (I dare argue that even the Green Lantern movie could have been improved with the presence of Dex-Starr, the Red Lantern cat).

So, to all those young film talents looking for ideas and fellow geeks looking to hound studios to work on stuff, here are some comics I’d like to see on the big screen (provided they don’t screw them up, of course).

Ms. Marvel

marvel

Dear Marvel; if you’re looking for an actress for the part, my friend Jamie can fill the role. Source: Jamie Poison on Facebook

With Wonder Woman set to have her own film in a little over 2 years, it seems appropriate Marvel should be there to meet DC with their own golden girl.

Ms. Marvel is probably the one character that could match Wonder Woman for the title of ‘most important female figure in comics’ and has a wealth of backstory to work from. I would talk at length about it, but A) that would be an article in its own right and B) MovieBob beat me to it years ago and did it far better than I could.

There have been some rumblings of Ms. Marvel appearing in Avengers 2, but the stories are slim on information at this at this point and could all be speculation with little confirmed. Still, it would be a welcome addition to the Marvel Cinematic Universe.

Update: Apparently Ms. Marvel is scheduled to make an appearance in 2018. Good for you, Marvel.

Blacksad

Dirty Harry ain’t got nothing.
Source: Wikipedia

You know what kind of story is sadly absent from movies? The film noir detective yarn. We saw attempts to use comics to revive the genre with some action tropes in the form of Sin City and The Spirit, but director/writer Frank Miller is to good story what Rob Liefeld is to attractive sequential art (that one was all the comic geeks out there).

Instead, I suggest trying again with Blacksad, an award-winning, Spanish produced, French detective comic set in 1950’s America that follows hard-boiled investigator John Blacksad as he investigates major crimes and deals with issues like political unrest and inter-racial violence.

The comic uses a technique that is not often seen today due to social stigmas; the use of anthropomorphic animal characters to help build personalities. For example, Blacksad’s character as a black cat is a clever twist on the ‘bad luck seems to follow me’ cliché.

We need some good, clever drama in film. And I think Blacksad could provide.

And speaking of great comics starring fur-clad heroes…

Usagi Yojimbo

And now you know what the killer rabbit from Monty Python and the Holy Grail went on to do.
Source: Cover Browser

One of my favorite film genres and the one that’s least likely to be brought up in casual conversation among my associates is chanbara (literally, “sword fighting” in Japanese); a set of samurai action films that helped to inspire and shape American Westerns.

I mention this because Usagi Yojimbo (translation; “Rabbit Bodyguard”) is possibly the best chance to revive the genre.

Set in the Edo period of Japan, the story follows the adventures of the white rabbit ronin Miyamoto Usagi (a clever play-on-words of the famous swordsman Miyamoto Musashi) as he fights wars and slays mythical monsters while offering the sage wisdom of a man that seeks the best in himself after seeing the absolute worst that others can offer.

If the character sounds familiar to you, you were probably a huge fan of Teenage Mutant Ninja Turtles as a kid as the two made cameos in the other’s stories from time to time.

If you’re still unsure as to how high quality an Usagi Yojimbo film would be, I recommend checking out the short motion comic to sample the closest thing available at the moment.