The Agent on Homophobia, Meme Culture, and Millie Bobby Brown

Millie’s face in this scene looks like mine when I heard the news.
Source: Hello Giggles

It’s not often that I wake up first thing in the morning and know EXACTLY what I’m going to talk about this week… I just wish I didn’t HAVE to.

For those that don’t follow celebrity happenings, Millie Bobby Brown, the young actress best known for playing Eleven on Stranger Things, was bullied off of Twitter yesterday because of memes circulating around the web using pictures of her and spouting off homophobic rhetoric. This was especially damaging to her since she is well known for being a powerful supporter of the LGBT+ community.

… I have SEVERAL complaints.

First, I want to address my attitude towards people leaving social media over bullying. Normally, I reprimand people for doing this as it shows the opposition that they can get whatever they want if they’re dickish enough. But, in this instance, I think Millie may have made the right choice. The sort of harassment that she’s experiencing right now is especially damaging when you’re as young as she is. So removing herself from that environment, at least until the meme runs it’s lifespan out, was probably the best choice she could have made.

That brings me to the culture of memes in general. Let’s not beat around the bush here; memes are the LOWEST form of entertainment. Any brain dead schmuck with a pirated copy of Photoshop can parrot the same unfunny garbage as 5 million other people and call themselves an artist. The only reason these things gain traction is just for that reason; they cater to and are (mostly) produced by the lowest common denominator. As such, the ‘insights’ they share will almost always be the same sort mouth-breathing troglodyte thinking that seems to have been dominating the landscape lately.

Which is exactly why THIS unfunny hack job we’re talking about now is centered around homophobia. It seems pretty obvious that one blinkering jackass who enjoys the smell of their own beer farts thought it would be hilarious to make an anti-gay meme during Pride Month of all times and centered around a young person that has supported the community for a long time because they lack the number of functioning brain cells – most likely having died through multiple college benders – to understand how comedic juxtaposition is SUPPOSED to work (Or at least I HOPE that’s the explanation because the alternative is that they were ACTUALLY hoping this would destroy the LGBT+ community… somehow…). You need a punchline in order for a ‘joke’ to exist. So where is it here? Where’s the goddamn joke?

I know it sounds like I’m just angry and fuming right now, but I actually am that upset. Stuff like this – people that think that being offensive just to get a rise out of people qualifies as comedy and probably claims that “Mel Brooks could have gotten away with it” while failing to understand that even he had the common decency to not make light of lynching when he made Blazing Saddles– has been going on for far too long.

The sad part is that you can’t just ‘get rid’ of thinking like this. there’s always going to be some colossal, cretinous clod-hopper who thinks insults and threats of violence alone with no real comedic exaggeration are the height of humor. But we CAN make it clear to them that they have crossed a line. We can shame and abandon such ignorant people and leave them to rot in obscurity and their own intolerance.

On the unlikely chance that Millie sees this, know that you did nothing wrong. You’re just an unfortunate victim of cruel, uneducated sub-humans. I hope that someday, you’ll come back to us fully healed and ready to make us smile again. Until then, we’ll wait for you.

As for the rest of you, congratulations; you attacked a harmless community on their day of recognition, earned the ire and hate of the world, and made a 14-year-old girl cry. Your parents must be beaming with pride.

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Why Katie Ka-boom Was The Worst Thing To Happen To Animaniacs

Don’t look at me with that cutesy smile, you conniving trollop. I know your evil thoughts are brewing…
Source: legion1979.tumblr.com

Last night, my friends and I celebrated the arrival of Animaniacs on Netflix by binge-watching over tacos. It was nice to see how most of the show still holds up after over two decades.

That said, nothing is without sin. And the biggest sin in this show’s record, at least in my mind, is the teenage terror that is Katie Ka-Boom.

If you don’t remember Katie, good for you – you were able to blank her out of your mind and ignore her while waiting for more Slappy Squirrel segments like my younger self. But now, looking back, there is just so much wrong with her as a character and I understand why she never took off as a staple of the show or was accepted by the fans. For instance…

She’s not funny

The entire premise of the Katie Ka-Boom segments is that Katie is a teenage girl who loses her mind with every minor social misstep or foible. The twist in this cliché is that she transforms into a series of grotesque monsters based on the stressor of the day which ultimately result in the terrorization of her family and destruction of the house – usually through a massive explosion; hence her name.

There is a germ of a good idea here that could have been made into a passable laugh, but there is no variation to the theme. They even reuse the same lines and gags. It’s just incredibly lazy writing.

And, of course, when I’m not laughing at the show, I’m asking plot-hole exposing questions that further pull me out of the experience like, “Why does Katie transform like that? Is she related to Bruce Banner” or, “How does she even HAVE a social life to fret over? Wouldn’t the other kids at school be too afraid to talk to her knowing she demolishes her home on a daily basis?”

There are many sins one can commit in entertainment, but not being funny in a comedy (or not entertaining in any regard) is the worst because it can only bring the other problems into clearer view.

She’s a living middle finger to teens and women

There are two things we praise Animaniacs for consistently; it’s desire to treat it’s younger audience as intelligent, critical people and it’s progressive depiction of women.

On the youth end, the show was known for surprisingly informative segments shipped as comedy as well as respecting their maturity with some more *ahem* ‘adult humor.’

As for the women of Animaniacs, they had a knack for independence and proving their capableness in hard times. Even blatantly sexualized characters like Hello Nurse and Minerva Mink demonstrated amazing intellect and cunning; proving they had the brain to complement their beauty.

So, imagine how much of a kick in the head it is to see a character like Katie who basically says that all teens – especially teen women – are irrational, emotionally unstable, sub-humans.

… Yeah. kinda makes you angry, doesn’t it? But not as angry as when you realize that…

She is demonstrably and radically evil

Let’s cut through the crap and get to the big point; this is the story of a spoiled rotten child oppressing and controlling her family through violence in order to get everything she wants. You know what we call that in the real world? DOMESTIC ABUSE.

Yes, in a world of whimsy and cartoon antics, there exist abuse victims. There was one episode in particular (the clip of which I sadly can’t find online) that demonstrated this shockingly well when, for a brief moment after being corrected by Katie, her mother quickly recoils back in fear with arms raised saying, “my mistake.” Speaking as someone with a minor background in psychology, such actions and hyper-awareness in social situations are clear symptoms of an abuse victim.

If the show just had a passable exaggeration beyond the supernatural powers, it could have played itself off as a dark comedy. But, as we have established, Katie Ka-Boom is NOT funny; she’s evil. Like, the ‘monster-that we-need-The-Avengers-to-fight’ kind of evil.