Sharing the Love and the Screams with Screaming Soup!

For those of you who never thought you’d see a skeletal cowboy, a humanoid catfish, a werecoyote, and a native american toilet paper mummy riff on bad movies over their favorite drinks – here you go.
Source: screamingsoup.com

 

As those of you who follow on Facebook and Twitter know, I’ve been getting a lot of love lately and I try to give it back with my #ThursdayThanks posts. But I wanted to give a special thanks to someone with big aspirations whose work I really enjoyed.

Not long ago, I got a message on Twitter about a horror movie review show called Screaming Soup! that seemed interesting. Normally, I ignore these door-to-door tactics, but I decided to check it out on a whim to see what it was about. I was not disappointed with the results. So, to show my appreciation and spread awareness for a fellow enterprising creative talent on the ‘net, I’m going to give a constructive critique in as close to the style of the show as a literary medium will allow.

Screaming Soup! seems to get it’s name from the now canceled show Talk Soup that spun off into simply The Soup. Just as those shows recap and review talk shows and general pop culture respectively, Screaming Soup! does the same with B-grade horror and monster films.

So what sets this show apart from other horror and schlock film critics? How about the fact that it features an animated cast? In other words, imagine The Soup revamped for horror films with a format akin to Space Ghost: Coast to Coast and hosted by Deadwest -a man that’s equal parts Ghost Rider, Jonah Hex, and Svengoolie. That’s Screaming Soup! in a nutshell.

Looking at the negatives of the show, or “the sours” as Deadwest would say, most of them fall on the show’s opening title sequence. Don’t get me wrong; the theme song is catchy as hell and I will catch myself headbanging to it if no one’s watching. But I do take some objections with it in some places.

For example, there’s one lyric in the theme that refers to “gay-ass monsters made of clay.” Really, dude? You’re using gay as an insult in 2015? I get that most of the humor of this show revolves around immature comedy that spoofs the man-childish glee of bad horror cinema, but there’s a fine line between immature and borderline insulting. I don’t think anyone involved with the show has a “God Hates Fags” sign in their closet, but it does make defending otherwise brilliant work that much more difficult.

Also, as awesome as the rest of the theme is, I feel it runs a bit too long. Episodes tend to run five to nine minutes and the title sequence takes up about a minute of it. If it was trimmed by half to make room for one or two more clever jokes and the lyrics were changed from “gay” to “lame”, I wouldn’t be bothered in the slightest.

Those jokes are a good jumping-off platform to the good parts of the show – “the sweets” if we’re still using Deadwest’s terminology.

As stated, the humor is very similar to Space Ghost: Coast to Coast tinged slightly off-color to reflect the nature of the types of exploitation horror that tend to dominate the line up. Recurring gags of this nature include the “Pissing Time” clock that counts the seconds and minutes of time where nothing happens in the movie and you can safely run to the bathroom, the “Bogus Scares” counter that tracks the annoying jump scares, an end movie body count, and a “Tit Counter” that tallies up the number of times the actresses go topless.

Another awesome thing about this show is how well characterized the cast is despite having just one guy, one girl, and a text-to-speech program for one lady to do all the voices. Everyone comes together to bring color to the setting of the Howl Inn. From Deadwest’s lovable invisible specter girlfriend Mandy to the urban hipness of the blaksploitation throwback monster Eb’nstein to the house sad-sack and Creature from the Black Lagoon parody Catfish, all of them add character to the show and help to keep things fresh (Sidenote: my favorite character so far has to be Peyote; the werecoyote trucker).

I mentioned before that the episodes run significantly shorter than the average review show, but I feel that works to it’s benefit. Animation, even simple animation like this, takes a lot of time and effort and you need to cut corners where ever you can. Screaming Soup! takes advantage of shorter running times by cutting out the plot-point by plot-point analysis style of other shows and removing the spoilers that they would have contained as a result.

Now, I’m not in the business of rating the films, games, and shows I talk about like Deadwest. But if I were, I’d have to say that Screaming Soup! is a solid four out of five that, with a little polish, could become a five out of five in future seasons. It’s inventive enough to stand out as welcome addition to the world of online film critics. I recommend this show to fans of Count Jackula and Diamanda Hagan who want something new, want fewer spoilers, or are just looking for something to enjoy during their lunch break.

But what do I know? Like Deadwest himself, I also like Killer Tomatoes.

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3 thoughts on “Sharing the Love and the Screams with Screaming Soup!

  1. You’re absolutely right about the theme song, and we’re changing “gay” to “lame” as of today for all future episodes. We only meant gay in the silly juvenile sense meaning “stupid” but even that doesn’t feel right anymore after your astute critique on its use. Thank you for bringing this to our attention to avoid alienating anyone from enjoying our show which accepts anyone and everyone as long as they promote peace and good vibes!

  2. Pingback: No Easy Choice: Should We Support Doug TenNapel? | The Awkward Agent's Archive

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